Original video located here. Accessed 20th December 2023
Song title: The Season's Upon Us
Artist: Dropkick Murphys
Year: 2013
Why I like this song:
Hope you all have a Merry Christmas and a Happy New Year
Original video located here. Accessed 20th December 2023
Song title: The Season's Upon Us
Artist: Dropkick Murphys
Year: 2013
Why I like this song:
Hope you all have a Merry Christmas and a Happy New Year
Song title: A Pair of Brown Eyes
Artist: The Pogues
Year: 1985
Why I like this song:
R.I.P. Shane McGowan
I got into the Pogues in my early twenties. At first it was the novelty of Celtic folk played the speed of a punk band with the raucousness of a drunk singalong. But then, upon closer examination, there is a high class of songcraft at work. Indeed, it is through the Pogues that I learnt the strength of an opening line among other things.
So here's to you Shane, a true poet if ever there was one.
Original video located here. Accessed 6th October 2023
Song title: Love for the Sake of Love
Artist: Claudja Barry
Year: 1977
Why I like this song:
There's a really strange ad circulating on Tasmanian TV at the moment which features this song.
But however bizarre the ad may be, it did make me realise that the song was a stand-out - as well as a firm reminder that the production values of seventies disco truly was on another level.
Song title: Dream Weaver
Artist: Gary Wright
Year: 1975
Why I like this song:
R.I.P. Gary Wright
It may be corny, it may be seventies production at it's best/worst, it may only known to a certain number of people due it's use in Wayne's World. But damn, it is still a snappy tune.
And as an illustration of a night/dream journey, it does it's job and it does it well
Song title: I'm a Believer
Artist: Smash Mouth
Originally Done By: Monkees
Year: 2001
Why I like this song:
R.I.P. Steve Harwell
I am prepared to die on the hill that Walkin' on the Sun was the best song Smash Mouth ever did but I will admit to having a soft spot for this.
Somehow, it has an energy that was missing from the original.
Song title: Everybody Moves
Artist: Died Pretty
Year: 1989
Why I like this song:
R.I.P. Ron S Peno
Much has already been written how Died Pretty was a band that should've gotten huge so i won't reiterate such matters. But what I will say is that this song is indeed a gem and sounds pretty much like itself - as in, completely unrelated to what else was happening at the time.
And is all the better for it.
Song title: I Wonder
Artist: Rodriguez
Year: 1970
Why I like this song:
R.I.P. Sixto Rodriguez
I think it's far to say that the documentary Searching for Sugar Man has done a monumental job of bringing awareness to the music of Rodriguez. Personally, I knew of the story well enough before i heard the man's music. And the story was potent enough to make me see the man when he performed live in Hobart. And there I was won over with his space presence and snappy songs.
I like this one the best due to to the bassline and the witty observations our man Sixto is making
Song title: Jealous
Artist: Sinead O'Connor
Year: 2000
Why I like this song:
R.I.P. Sinead O'Connor.
This is my favourite Sinead O'Connor song. Some might think it maudlin but it's one that resonated with me.
This came out in 2000 - the same year I had my first break-up. As such it was an instance I was VERY ill-prepared for so i played this song a lot.
Of course, in retrospect, it's not a moment to be proud of but I will say this: This song is a stunning display of vulnerability. Particularly in those last two lines which hits like a truck - even when uttered by a provocateur such as Sinead.
As for Sinead, well I hope that wherever she ended up, she found peace.
Song title: Otome no Policy (piano)
Artist: Yoko Ishida
Year: 1993
Why I like this song:
Last month I got married.
This was designated as the 'bride entry' theme.
Song title: Love Will Tear us Apart
Artist: Joy Division
Year: 1980
Why I like this song:
So what makes song so special? I could say I love the intro with each instrument entering one by one. I could say it sounds unique and worlds apart from the hits of the decade. I could say it is effective as a description of someone having a mental crisis. I could say that it hasn't aged a day and still works no matter how many times I've heard it.
But what I will say is something of personal resonance. It was sometime in 1998 that I became aware of this band. I knew of them through reputation but nothing of their music. Needless to say i was curious and went to find out more. Now this was when the internet was slowly becoming commonplace: And to find out about Joy Division, one had to do a search - this was, after all, the days before Spotify, streaming services, and Google's omnipotence.
And as it turns out there was a lot this band. I had come across a gold mine of music and information about this name. Stuff I had never heard of before and never would elsewhere - why, finding out the connection between Joy Division and New Order (who I did know about) blew my sixteen year-old mind.
That being said, what Joy Division represent for me is the awakening to a new world around me: One that existed beyond what i knew growing up and was there waiting to be discovered. Joy Division represent a cavalier approach to my musical tastes: Finding out new stuff beyond what anyone else told me and showing a new side of the decade that wasn't tied to gaudy clothes, worse haircuts and keyboards the size of VW Beetles. Sure the walls had signs of coming down over the twenty four months prior but finding Joy Division was the dam burst.
One last thing: this is one of Anthony Albanese's favourite bands. Seems the man has taste.
Song title: Great Southern Land
Artist: Icehouse
Year: 1982
Why I like this song:
I don't think I will ever tire of this song.
It is well documented that Iva Davies wrote this as an experiment in atmosphere. And it's fair to say that he succeeded more that he could've ever hoped for. To me, this song evokes the heat, the deserts, the wide open spaces that is this continent that is Australia. Also much like Australia, this song sounds like it always existed.
Needless to say, this song has been a continual presence for many summers (recommended listening when walking on a beach at sunset) and, I can imagine, will continue to do so for many summers more.
In fact bugger Advance Australia Fair; give me this any day
Song title: Just Like Heaven
Artist: The Cure
Year: 1987
Why I like this song:
In an earlier post I decreed that the sound of the eighties was defined by big drums, prominent bass, jangly guitars and the ever-present synthesizer. So we come to what can only be the quintessential eighties song performed by a quintessential eighties band.
Once again, I always felt that if Robert Smith could put his mind to it he could whip out a winner of a pop song. And this song is that hypothesis in motion. Utter magic this song: I especially love the intro where each instrument falls into place and that unmistakable guitar figure.
Furthermore, this song reminds me of my college years when i fell in with a group of goths and, in doing so, made some of the best friends I'll ever have
Love songs for goths, eh?
Song title: Like Wow Wipeout!
Artist: Hoodoo Gurus
Year: 1985
Why I like this song:
These guys were my favourite band when i was a kid and I still love 'em well into adulthood. In fact, whenever I see a list of best Australian bands ever, these guys don't rank as high as they should and I come away shaking my head in disbelief - of course said list usually consist of AC/DC, INXS and everyone else but I digress.
Once again this song works because there's a lot going on here: It may be based on a fifties surf rock tune but here it sounds like it's on steroids. Through in some snappy lines, a singalong chorus and a lot of 'Ah-ah-ah's and you have a winner.
Listening to this now, the strengths of the Gurus come to play: Guitar hooks aplenty, an understanding of rock'n'roll history, a goofy sense of humour and knowing their way around a good chorus. It is therefore little wonder why they won a lad like me over
I mean...just..... is this the most irresistible thing ever?
Song title: Epic
Artist: Faith No More
Year: 1989
Why I like this song:
Words alone can't describe what a REVELATION this song was, hearing it as a seven/eight year old. I once described this song as the equivalent of Mack truck crashing into one's living room in slow motion and I still stand by it.
Listening to it now though, it's clear that this song is a lot of things coming at you, the listener, all at once. We have a funk bass, a metal guitar, shout-along vocals, tribal drumming, an urgency like nothing else and a solemn piano solo closing it out.
Years later it still sounds like nothing else and nothing anyone - not even the late 1990s/early 2000s nu-metal disciples who were clearly inspired by this - have even matched.
'What is it? It's It' indeed
Song title: Streets of Your Town
Artist: The Go-Betweens
Year: 1988
Why I like this song:
How's this for an analogy: If the Go-Betweens were a TV show they would be Firefly. Quality material, inspiring a small but devoted legion of fans and really should've been huge - and it's the latter that adds to the band's mystique to the point where may as well eclipse everything else about them.
Cynicisms aside, this song is pure magic. I like that a lot is done with two chords. I like the summery feel of the thing. The harmonies are fantastic.
Furthermore, this song will remind me of eighteen year old me who was heading to Uni for the first time and finding more about the world & how it works (is that the majority of the Go-Betweens audience - Uni students?). Nothing like a fresh start.
Although it still remains baffling why this didn't take off. How can you say no to this? Leaves a lot of pop in the decade for dead.
Song title: Throw Your Arms Around Me
Artist: Hunters and Collectors
Year: 1986
Why I like this song:
Will this song ever die? Probably not.
Many years ago, i did single this song out as a 'love song with balls' and I still stand by that notion. Indeed, that it eschews anything saccharine for something more honest works in it's favour tremendously - and, let's face it, more difficult to pull off in a pop song let alone successfully.
It's timeless, never gets old, and those harmonies that climax the song are great.
Song title: It's the End of the World As We Know It (and I Feel Fine)
Artist: R.E.M.
Year: 1987
Why I like this song:
So let's talk about R.E.M.: My first encounter with them was the seeing the video to Orange Crush. Then, I found more about them through their early nineties breakthrough. And THEN I found they had quite the considerable catalogue stretching back to the early eighties. And it is that revelation that continues to fascinate. Sure R.E.M. would achieve worldwide successin the nineties but that is completely different to the credibility they had cultivated in the eighties. And such an observation is justified when many people believe that the further R.E.M. got from the eighties, the less interesting their music became.
As for this song, well it may be a go-to theme for anything going wrong and/or global catastrophe but the fact I can still rely on it shows that has considerable staying power.
But ultimately this is far from a 'doom and gloom' song - more like a 'the place is going crazy but we're still going to pick up and pieces and move on' type song
That and it's fun to sing along in the car too XD
Song title: Underneath the Radar
Artist: Underworld
Year: 1988
Why I like this song:
Before there was 90s Underworld, there was 80s Underworld. Before Karl Hyde and Rick Smith joined forces with Darren Emerson, It was Karl and Rick with Alfie, Baz and Bryn. And before there was Born Slippy, there was this.
Given the triumphs Underworld would have in the following decade, one would think this early incarnation would be forgotten. Indeed, one would have trouble grasping that this was the same band. But doing so would be a disservice to this song. Because DAMN what a song! It's a compelling mix of funk, dance and rock and honestly? It still holds up. Granted it is strange to see this song making the top ten on the ARIA chart at the time but it certainly has aged better than the other songs it was rubbing shoulders with.
And let's not forget: This song's status as one of the great driving songs is beyond reproach. And I've certainly driven many times to this one XD
Song title: Beds Are Burning
Artist: Midnight Oil
Year: 1987
Why I like this song:
The act of a protest song has become tricky in recent years. How can you get your point made without coming across as preachy and condescending? Well you look at how the pros do it.
So what makes this song work? It's passionate, it's driven, it rocks hard and as a call to arms it's nothing short of effective. And for many white Australians, it may be the first indication of the plight of the First Nations people. And if a protest song draws awareness to what one may not already know then it's a mission is well and truly accomplished.
When i was a kid, I was well aware that the Oils were an institution, whipping out angry songs, delivered with passion and making many a rallying cry.
And no matter how many times I hear this it still hits like a truck
Song title: Orion
Artist: Metallica
Year: 1986
Why I like this song:
If you have been following this blog, you would know that I have a preference for songs that a) are instrumentals and b) have prominent bass lines. So it is any surprise that this song here?
Song title: Blister in the Sun
Artist: Violent Femmes
Year: 1982
Why I like this song:
What can I say? It hasn't aged a day and seems to be known by everyone that one would think it's required listening for any frustrated teenager.
I always felt that this song came across as the younger brother of the punk movement from the preceding decade. It has the attitude but traded in the rage for mischief and melody more befitting a nursery rhyme. But whatever this song is doing, it's doing it well.
Song title: The Mercy Seat
Artist: Nick Cave and the Bad Seeds
Year: 1988
Why I like this song:
Some say this Nick's magnum opus and the pinnacle of his Berlin years. I won't argue.
To me the appeal of this song is that it's a depiction of total, utter chaos. There's nothing like it both before or since, and is delightfully out of place when compared to what was popular the same year (yep, give me this over Kokomo any day)
I've seen Nick live twice. The first time was with the Bad Seeds and the second was a solo show. And regarding the latter, this song still has power even when it's just him and a piano.
Original video located here. Accessed 18th January 2023
Song title: Say I Love You
Artist: Renee Geyer
Year: 1981
Why I like this song:
R.I.P. Renee Geyer
This is my favourite song of hers. So much fun to listen and the joy in it is damn infectious.
Song title: With or Without You
Artist: U2
Year: 1987
Why I like this song:
Actually forget what I said yesterday about how history will remember the Stone Roses: How will history remember these guys. For it seems to me that in recent years U2 have become something of a punchline - which of course does them a disservice because, lest we forget, they could still pump some winning songs.
So yeah: This speaks to me for its haunting mood, the build up, and the lyrics dealing with conflicting emotions. It is indeed a triumph and surely it's immortality is secured. Like many songs in this portion of this list I have heard it many times and it has yet to get old for me
Song title: She Bangs the Drums
Artist: the Stone Roses
Year: 1989
Why I like this song:
Fools Gold may have been the bigger hit But I opted for this one. It's a summer vibe like no other it has an energy that is difficult to resist and never seems to tire no matter how many times I hear the damn thing..
Mind you, I have to wonder how history will remember this band: What was once a new voice in popular music and a vital force in drawing interest in alternative music has been outdone by a) their successors (ie Oasis) and b) those who did their job but more successfully (ie Nirvana). Still, the music still sounds great over three decades later so who am i to argue.
Song title: Yes Sir I Can Boogie
Artist: Now Drowning Waving
Year: 1987
Why I like this song:
In 2000 I became acquainted with David Bridie, through his excellent solo album Act of Free Choice. This led to me checking out the bands he was previously involved with: My Friend the Chocolate Cake (who I had a vague idea of) and Not Drowning Waving (who I knew nothing about).
Listening to this now two things are evident: One is NDW's strengths in combing percussion heavy rhythms with unusual instruments (in this case the mandolin and the guitar going nuts).
And two: This sounds completely out of step when compared to the other music on this list. I wager, if you would play this to someone completely unaware, they would never pick it up it was from the eighties. It sounds like nothing else, it has certainly aged a lot better than it's contemporaries and that's what makes this song such a treat.
Song title: Blush
Artist: The Hummingbirds
Year: 1989
Why I like this song:
Sometimes you remember the exact time and place when you hear something new. Such is the case here.
It was in 2002 (!). I was listening to weekend Triple J as they were doing a yearly retrospective for Aus Music month, with a song for ever year from 1975 to the then present. And this song stood in for 1989.
At the time I knew of all the other artists on said retrospective but these guys were the lone exception. And upon hearing this song I had one of those moments: "Who's this?! This song's fantastic!".
Given that this is from 1989 I would've been aware of Blush but no: It is only years I find out about it.
But who cares if I was late to the party? This song rocks hard and is, once again, an indication of what was to happen in the decade ahead. The guitars are superb, the male/female vocals are to die for and the singalong aspect is wonderful. It has an immediacy other songs can only dream of and truly a gem among pop songs.
Its just a shame it isn't as fondly remembered as other songs from the era.
Song title: Oscillate Wildly
Artist: The Smiths
Year: 1985
Why I like this song:
I guess it's safe to say that How Soon is Now is an undisputed classic. So let's talk about it's B-Side.
As with numerous entrants on this list, it's an instrumental. One that is propelled by a striking piano line and coloured with Johnny Marr's guitar playing. A lost classic perhaps? Maybe but if it is, consider this post me shining a light on it
Song title: She Sells Sanctuary
Artist: The Cult
Year: 1985
Why I like this song:
It may not be the most complex song ever written but it does a lot with very little. Also, one would think it was custom made for roaring down a highway to (which I have done many times)
Song title: True Faith
Artist: New Order
Year: 1987
Why I like this song:
Blue Monday may be New Order's most recognisable hit but I opted for this one instead.
Factory records founder Tony Wilson once observed that it took Bernard Sumner some time to find his voice - and he did so with the nonsense wording that is Temptation. Here, the nonsense is still present but while the phrases may be seemingly randomly strung together they still pack something of a punch.
It may be easy to dub New Order as being synonymous with synthesizers that dominated the eighties but I, the man who takes pride in going against the grain, will excuse this purely New Order truly did have some killer songs in their oeuvre
Song title: I Love Rock and Roll
Artist: Joan Jett and the Blackhearts
Originally Done By: Arrows
Year: 1981
Why I like this song:
As a statement of bad-assery one needn't look any further. And that we have a rock chick outclassing the fellas in the bad-assery department is even better. Sheer raw power with crunchy chords, boundless confidence and a shout-a-long chorus. What more could you want?
Song title: King's Cross
Artist: Pet Shop Boys
Year: 1987
Why I like this song:
The eighties were indeed a fertile time for the Pet Shop Boys, but instead of going for one of their many hits I opted for this.
It seems to me that, as a genre, synthpop is one that leans more into the second syllable of it's name. So when the genre tries it's hand at atmospherics, one tends to sit up and take notice.
Personally, when i first heard this song it quickly made it's way to my 'rainy day' playlist and it hasn't moved
Song title: Message to my Girl
Artist: Split Enz
Year: 1983
Why I like this song:
Simply put: it's one of the most beautiful songs that Neil Finn has come up with
Song title: Crash
Artist: Primitives
Year: 1988
Why I like this song:
This song is further evidence to my hypotheses that the music of the late eighties was already providing signposts to what was going to happen in the following decade. In fact, if you played this to someone who hadn't heard it before they would think that it was a nineties song. But no: It's a still an eighties song.
It would be easy to consign this song to the bin of One Hit Wonders but what a song! It's pop perfection with a brief run time, snappy guitars and a singalong chorus. Lightening in a Bottle? One would think so
And to think I would never have heard of it if I didn't purchase Lego Rock Band XD
Song title: Better Be Home Soon
Artist: Crowded House
Year: 1988
Why I like this song:
Previously, I mentioned being, at the time, completely oblivious to the superstar status of Michael Jackson. Because, in my young mind, these guys seemed to be biggest pop-stars I could think of. Their music was everywhere, everyone seemed to know them and the songs were truly unforgettable.
And years later, and no matter how many times I've heard this, this song still has magic. It is also a testament to Neil Finn's pop smarts, being able to latch onto something that speaks to many people. Granted the cynic in me would maintain that everyone would gravitate to the line "I know that I'm right / For the first time in my life" but whatever: This song still rules.
Song title: Back on the Chain Gang
Artist: Pretenders
Year: 1984
Why I like this song:
It may be synonymous as a 'song to do work to' (and I have certainly utilised it as such) but at the same time it's another song that seems impervious to age.
Song title: Before Too Long
Artist: Paul Kelly and the Coloured Girls
Year: 1986
Why I like this song:
Another case of a song that never gets old no matter how many times I've played it (and believe you me I have tried).
For my non-Australian readers, the US has Bob Dylan, Canada has Neil Young but we in Australia have this guy: A prolific song writer of considerable distinction who has pumped out many a memorable song.
And for me, this song is indeed a well crafted one, with standouts being the immediacy of the opening, the guitar solo, the piano throughout and the striking line: "Every Dog will have it's day / Any dog can win"
Also, watching this video I can't help but think: a) Wow Paul looks young there and b) Wow Paul has hair
Song title: Here Comes Your Man
Artist: Pixies
Year: 1989
Why I like this song:
It may not be the best representation of the Pixies' music. It may be quite uncharacteristic of them to go pop. It may not be liked by the band themselves. But what this song does, it does well. And it proves the notion that once you have snappy bassline you can get away with anything
Song title: Holiday in Cambodia
Artist: Dead Kennedys
Year: 1980
Why I like this song:
Will punk music ever die? As long as there are angry teenagers, probably not.
Like any teenager, I was into punk. I got into via the nineties wave (ie Green Day and the Offspring) so it was inevitable that i would eventually reach the foundation stones of the genre (ie Sex Pistols, Clash, Ramones). And in amongst that clutch lay this band: One that took the punk template and upped both the sarcasm and intensity. And in that sense, how could i refuse?
Truly this is fascinating with it's corrupted brand of surf rock guitar, doom-laden bass line and the gleefully demented vocals. In fact, nothing quite matches it over four decades later.
Song title: Could You be the One
Artist: Husker Du
Year: 1987
Why I like this song:
Behold: A band that walked so the Pixies (and subsequently Nirvana) could run
In recent years I've shown an interest in the work of Bob Mould so it is with no surprise that I would eventually come to the band he was a part of in the eighties.
So where do I start with this one? Like many other songs on this list it sounds out of step with the cliche sound of the eighties. It has more energy packed in those two and half minutes that other bands can only dream of. It is a pop song par excellence. It has aged better than a lot of other songs that came out the same year. It's frigging brilliant