From here, the obvious remark is how long Noel and Liam will last until they, once again, can't stand the sight of each other. And the real surprise will be if Noel and Liam actually get along. But then again, this reunion shouldn't come as a surprise seeing as Definitely Maybe is thirty years old and (What's the Story) Morning Glory is approaching the same milestone.
So what of Wonderwall? Well, for me its a song of early mornings and taking on the responsibilities that come with being in a relationship.
Original video locatedhere. Accessed 8th August 2024
Song title: Glockenpop
Artist: Spiderbait
Year: 1999
Why I like this song:
It's a cute song with some surprisingly biting lyrics about the vapidity of pop music.
Recently Triple J put an online survey, no doubt to engage the audience and try to garner some market research. What it involved was presenting the participant with samples of songs and asking for a rating.
I did the survey last night and it was quite the challenge: here were seven sections, each having 105 song samples. So that's 735 songs to get through! Granted I have long ceased being a teenager so that places me well outside Triple J's demographic and granted I have subsequently not heard Triple J in years but I still did it because I will not refuse an opportunity to say what I think.
Listening to the songs I found the following of note:
There's a lot of pop
There's a lot of electro stuff that I couldn't tell the difference between The Weeknd and his soundalikes
I realised there's a lot of production heavy songs coming out the last coupla years
Surprisingly, there were a handful of 1990s songs, the oldest being Radiohead's Creep and Rage Against the Machine's Killing in the Name of (like the latter will ever get old)
I lament the day that Triple J went pop, thereby making it indistinguishable from the other radio stations and it abandoned the alternative roots that made it interesting, Yes it is futile to complain about such a change since one can't stop the march of time, but I would welcome the day that a change comes around that alters the trajectory and the current model is looking old news.
It's well documented that Nirvana's simplicity destroyed a lot of careers of production heavy acts. You wouldn't think that now seeing the pendulum has swung back but there's nothing keeping the pendulum there....
So: Poptimism, A reaction against Rockism and it's gatekeeping. Where those who once weren't taken seriously as artists now had a new sense of credibility. I however challenge that narrative.
I was a teenager in the nineties - an era known as the apex of alternative rock. So what does that mean to me? Well it showed me that there was a world beyond what was being played on the pop radio at the time. A world that had slipped under the radar of pop radio and now looked far more appealing. So whilst the pop radio looked vapid, dull and cheesy, the brave new world of alternative rock looked fun, real, varied and with far more teeth. And in the wake of Nirvana's success, alternative rock, once overlooked by the mainstream, had a new found sense of credibility.
But as is often the case, the pendulum can always swing back.
And that's what Poptimism is for me: Pop music coming roaring back to life. Pop is a dominate force again. Song that did successful on the charts only to be dismissed as nonsense is now reassessed as classics. And the underground is now being forced back to where they were. But to me it's not so much a reaction of the success of alternative rock but regaining the ground lost. Its the sound of a schoolyard bully punching back at the nerds who dared stand up for themselves. Does some higher up in the music industry actually resent the revolution Nirvana (however unwittingly) brought about?
Disagree? Very well then: Tell me, without looking it up, who was the highest ranking Australian artist on the ARIA singles End of Year chart in 1991. I'll give you a hint: It wasn't Daryl Braithwaite.