Original video locatedhere. Accessed 9th February 2015
Song title: What's the Frequency Kenneth?
Artist: R.E.M.
Year: 1994
Why I like this song:
When you need a new method to reach a younger audience....
They say revivals happen in chunks of twenty years. That being said I have spent the past few years digging up music from the early nineties and finding it much to my liking. I've discovered gems that I never knew existed (Sugar), I've come to see acts I knew of in a different light (Lemonheads, KLF, L7 and Wonderstuff) and I've come to enjoy acts I never thought I would (Aphex Twin). Indeed, it's great to go back and discover stuff that passed me by the first time around and seeing that it does indeed hold up two decades later.
However, this year is 2015: And going by the logic of the twenty-year revival thing, it was in the mid-nineties (1996 to be precise) that I started listening to Triple J and ended my music exile. What this means is that the unfamiliar is now starting to become familiar. The sense of exploration is now replaced with the sense of coming back to ground I once traversed.
In that sense, perhaps it is time I stopped being so disillusioned with modern pop/rock music and started living in the present....
Original video locatedhere. Accessed 10th July 2021
Song title: Swordland
Artist: Yuki Kajiura
Year: 2013
Why I like this song:
Recently I've been watching the anime Sword Art Online.
I am well aware that a lot of people don't like this anime and I can understand their viewpoint. But I have enjoyed this anime a lot - and I will admit that Kirito and Asuna are a couple worth shipping.
What is of note is that this by Yuki Kajiura - the same composer who gave us.hack//SIGN - thus suggesting she does great for anime where people are trapped in a MMORPGur. And whilst she may be applying the same tricks here, they are ramped up to something more energetic and foreboding. Its just the thing for doing a World of Warcraft dungeon. Or any RPG dungeon for that matter.