Original video located here. Accessed 30th June 2017
Song title: Elephant Stone (12 inch mix)
Artist: Stone Roses
Year: 1989
Why I like this song:
The original is great by itself but I always preferred this 12inch version. Somehow, unlike the original, it gives off a vibe of running outside on a summers day....
Original video located here. Accessed 10th November 2015
Song title: Wipeout
Artist: The Surfaris
Year: 1962
Why I like this song:
From one quintessential summer/surf-rock-instrumental to another. Much like Misirlou this has a degree of timelessness that appeals to generations and will most likely be associated with countless summers, before and well into the future.
Original video located here. Accessed 10th March 2017
Song title: Misirlou
Artist: Dick Dale and his Del-Tones
Year: 1963
Why I like this song:
Happy New Year, yadda yadda.
Its summertime at the moment so I want to talk about songs that I like to play around this time.
So lets start with one of the undisputed summer anthems. Sure it may now be associated with the films of Quintin Tarantino and it's context may be associated with 'being a badass' but lets not forget this was, and still is, a surfing anthem. And it still rocks hard years later.
Original video locatedhere. Accessed 14th December 20189/span>
Song title: How to Make Gravy
Artist: Paul Kelly
Year: 1996
Why I like this song:
Still one of the greatest Christmas songs ever written. Having a song told through the perspective of guy in the slammer sounds like a bizarre idea but it works so well here. And I still get the shiver up my spine with the last stanza: "You know one of these days / I'll be making gravy / I'll be making plenty / Gonna pay them all back...."
Original video locatedhere. Accessed 9th December 2011
Song title: Autobahn
Artist: Kraftwerk
Year: 1974
Why I like this song:
Recently I got ahold of Kraftwerk's landmark album Autobahn. From the outset, it seems that this album's reputation lies in it's title track: A twenty-plus minute epic that simulates a car journey and is largely recognised as a foundation stone for electronic music.
They aren't kidding.
Of course, saying so does a tremendous disservice to the rest of the album which are all superb and mark the transition point where Kraftwerk went from experimental to something more easily embraced.
Still I look forward to the day when I get to go on a long car journey and have this playing